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 Cover art JuxtaProse art:lit journal volume 21 Rebecca Pyle    The Menteur art:lit journal cover 2019    JuxtaProse Volume-26-Cover    This image has an empty alt attribute; its file name is oceandark-fish-and-island-rebecca-pyle-iii.jpg    

Recent artwork in art/literary journals

Bells in the Bell Tower, the University  (Barnstorm Journal, forthcoming)
The Clear Glass Teapot  (Rock Salt Journal,
photograph, cover art)
Teahouse, Japanese Gardens, San Francisco  (The Banyan Review,
Clouds Over Imagined Ship and Trains and Mountains  (Pithead Chapel,
cover art, forthcoming)
Four photographs
  (Wilderness House Literary Review)
Pencil drawing & several oil paintings  (Otis Nebula)
Oil paintings
(throughout, and cover art; West Trestle Review)
Five oil paintings  (Gris-Gris)
The Velvet Jacket / Driving to the Great Salt Lake  (The Menteur,
U.K., Paris)
Black Rock, Surrounded by Chartreuse  (Rathalla Annual Review)
House at the End of Douglas Street  (JuxtaProse,
cover art)
The Young Man in India Who was Cold  (JuxtaProse,
cover art)
The Resolution of a Tree, other paintings  (The Rappahannock Review)
The Jacket with Orange Buttons, and other paintings  (Blood Orange Review)
Why the Tall Building Could Not Stand & The Dentist’s Office  
(Under the Sun)
Oil paintings, in several issues  (New England Review)


Lindenwood Review volume nine cover

Recent short fiction

“House on Stilts”  (BarBar, forthcoming) 
“Honey, Himalayan Salt”  (The Miracle Monocle, forthcoming)
“Beatrice, and the Glory of the Colors”  (Fugue) 
“Postcards from a Gallery”  (SIAMB!)
“The Sun, and Cobalt”  (LandLocked)
“Gerald”  (Kithe) 
“The Sparkling On”  (The Hong Kong Review)
“The Pond by the Anthropology Museum”  (Gargoyle Magazine)
“The Royal Dervish Hotel”  (Pangyrus)
“White as Clouds”  (nominated for a Pushcart Prize) (Guesthouse) 
“Cartoon of Goodness”  (nominated for Best of the Net)  (Posit)
“The Dying Plane”  (Posit)
“The Collar”  (Eclectica)
“At The Crown & Mermaid”  (The Kleksograph) 
“Jar of Honey”  (The Lindenwood Review)
“What Does the Sun Need”  (Wisconsin Review)



Barzakh Magazine Spring 2018 cover

Recent essays and reviews

Review of Bradley Sides’ Those Fantastic Lives and Other Strange Stories (Grist)
Review of Jennifer Fliss’s short story collection The Predatory Animal Ball  (Grist)
“Writing, and Fortune-Tellers”  (Coffin Bell)
“Two Lions, and a Tea Cupboard”  (Common Ground Review)
“Bats and Stones”  (The Festival Review)  
“Paris is a Messy City”  (Miracle Monacle)
“Chaplin, and Writing” / “A Writing Group, and Horses”  (Litro, London/U.K.)
“The Whale in the Roundabout”  (Artists of Utah’s 15 Bytes)
“Beauty and Death and Hope in McPhie’s Nature as a Goddess”  (Artists of Utah’s 15 Bytes)
“Mitsu Salmon’s Work at Utah Museum of Contemporary Art”  (Artists of Utah/15 Bytes)
“The Lightning Power in Patrick Dean Hubbell’s New Work”  (Artists of Utah/15 Bytes)
“Corinne Geertsen Animates a Fading World with Fantasy”  (Artists of Utah/15 Bytes)
“The Moon, True Love, and Stephen Trimble’s Book”  (Artists of Utah/15 Bytes)


Recent poetry

“My Man Poe”  (Otis Nebula)
“Buster Keaton”  (The Chattahoochee Review)
Several poems  (in two issues of Die Leere Mitte, Berlin)
Three poems  (The Galway Review)
Five poems  (The Cape Rock)
“The Young in New York” (shortlisted for The Penn Review Poetry Prize, 2018)
“Island Like a Sacred Basket”  (The Honest Ulsterman)
“Did Not Have”  (Cobalt Review)

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The Cowboy Who Understood the Ocean, oil on canvas