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P U B L I C A T I O N S



A R T

 


NER35-1cover-front1-707x1024

N E W   E N G L A N D   R E V I E W
(Middlebury College)


http://www.nereview.com/2017/04/14/mary-clark/
The Rose Laundry  (New England Review, 2017)  (oil painting, Rebecca Pyle)

http://www.nereview.com/2016/10/26/zakids-delicatessen-bremen/
Man Making Music in the Forest  (New England Review, 2016)  (oil painting, Rebecca Pyle)

http://www.nereview.com/2017/06/21/my-mother-says-the-syrian-refugees-look-like-tourists/
Black Rock  (New England Review, 2017)  (oil painting, Rebecca Pyle)

http://www.nereview.com/2018/03/07/shipwreck-stories/
The Milk Sea  (New England Review, 2018)  (oil painting, Rebecca Pyle)

http://www.nereview.com/2018/06/25/from-the-beginning/
Man Making Music in the Forest  (New England Review, 2018)  (oil painting, Rebecca Pyle)


 


Hawai'i Review cover old

H A W A I ‘ I   R E V I E W
(University of Hawai’i – Manoa)


http://hawaiireview.org/fiction/2016/7/15/sam-gridley-the-genuine-article
Hills beside Highway, below Los Alamos  (Hawai’i Review, 2016)  (oil painting, Rebecca Pyle)

http://hawaiireview.org/fiction/2017/1/9/umi-perkins-the-breach
Red Blue Green: Oppenheimer’s Cottage, Los Alamos  (Hawai’i Review, 2017) (oil painting, Rebecca Pyle)

http://hawaiireview.org/poetry/2017/1/30/hossein-rahmani-the-shepherd
Spaceport, North Temple Street, Salt Lake City  (Hawai’i Review, 2017)  (oil painting, Rebecca Pyle)

http://hawaiireview.org/poetry/2016/12/3/leah-shlachter-to-make-a-dish-hawaiian-just-add-pineapple
Between Two Trees  (Hawai’i Review, 2016)  (oil painting, Rebecca Pyle)


 




ravenchronicles-v24 cover

R A V E N   C H R O N I C L E S   J O U R N A L
(Seattle)


http://www.ravenchronicles.org/readingreception-for-raven-chronicles-journal-vol-24 The Fireplace in the Violinists’ House  (Raven Chronicles Journal‘s cover, Vol. 24, 2017)  (oil painting, Rebecca Pyle)

https://thepoetrydepartment.wordpress.com/2017/06/17/the-raven-comes-home/
The Fireplace in the Violinists’ House  (Raven Chronicles Journal, Vol. 24, 2017)  (oil painting, cover, Rebecca Pyle)

Old Gray House on Corner surrounded by Rock Garden  (Raven Chronicles Journal, Vol. 24, 2017)  (charcoal sketch, Rebecca Pyle)

Adobe, Terasita Street, Taos, with Painting in Window  (Raven Chronicles Journal, Vol. 24, 2017)  (drawing, pastels, chalk; Rebecca Pyle)

(paper)


 



b84c5756f6a889fa332015e4458021f9_M

F R I E N D S   O F   T H E   G R E A T   S A L T   L A K E


https:///fogsl.org/news-and-archives/newsletter-archive/item/617-summer-2017/ Friends of Great Salt Lake – Summer 2019

Black Rock Surrounded by Chartreuse, Great Salt Lake   (oil painting, Rebecca Pyle (p. 5)

(2017, Summer; also, paper)


 



sine cera    

S I N E   C E R A
(Utah)


Between Two Trees  (Sine Cera, ‘Somewhere in Time’ issue, 2017)  (oil painting, Rebecca Pyle) (p. 42)

(also, paper)


 



sine cera writing it down issue

S I N E   C E R A
(Utah)


Photographs used in artwork composition on cover  (Sine Cera, ‘Writing it Down’ issue, 2018)  (photographs, Rebecca Pyle)

(also paper)


 

 
inklette-4-poster-2

I N K L E T T E


https://inklettemagazine.com/2017/09/01/the-red-hill/ (oil painting, Rebecca Pyle

https://inklettemagazine.com/issues/issue-v/
The Red Hill  (oil on aged canvas, Rebecca Pyle)

https://inklettemagazine.com/2017/09/01/two-poems-5/
Oceandark Fish and Island  (drawing, Rebecca Pyle)

https://inklettemagazine.com/2017/09/01/two-poems-5/
Abandoned North House  (drawing, Rebecca Pyle)

(2017)


 



2013 cover

P E R M A F R O S T  
(University of Alaska, Fairbanks)


https://permafrostmag.uaf.edu/online-issues/permafrost-issue-38-2-cabin-of-the-words/the-alta-club-building-salt-lake-city/
https://permafrostmag.uaf.edu/online-issues/permafrost-issue-38-2-cabin-of-the-words/contributor-bios-issue-39-2-the-great-seclusion/

The Alta Club Building, Salt Lake City  (oil painting, Rebecca Pyle)


 

 


DeLuge

D E L U G E   J O U R N A L


http://www.delugejournal.com/uploads/3/4/8/8/34888906/deluge_3.1.pdf
Chartreuse surrounding Great Rock, Great Salt Lake  (oil painting, Rebecca Pyle)


 




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T H E   H E L I X   M A G A Z I N E
(Central Connecticut State University)


https://helixmagazine.org/2018/11/13/the-milk-sea-rebecca-pyle/
The Milk Sea  (The Helix, 2018)  (mixed media, Rebecca Pyle)

https://helixmagazine.org/2018/11/13/the-alta-club-salt-lake-city-utah-rebecca-pyle/
The Alta Club Building, Salt Lake City  (The Helix, 2018)  (oil painting, Rebecca Pyle)

(also, paper)








Stoneboat 2018

S T O N E B O A T   J O U R N A L


Old Gray House on Corner, Surrounded by Rock Garden  (Stoneboat Journal, 2018)  (charcoal sketch, Rebecca Pyle)

(paper)


 

 

Dark Ink Magazine promotional photo of

D A R K   I N K   M A G A Z I N E
(New York)


Pale Horse at the House across the Street  (Dark Ink Magazine, 2018)  (oil painting, Rebecca Pyle; also, poem)

(paper)


 

 

The Emerson Review, number 47

T H E   E M E R S O N   R E V I E W
(Emerson College)


The Red Hill  (Vol. 47, The Emerson Review)  (oil painting, Rebecca Pyle)

(paper)


 




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T H E   W I L L I A M   A N D   M A R Y   R E V I E W
(The College of William and Mary)


Turkish Cup, Glass Blocks, in Windowsill  (2016, The William & Mary Review)  (photograph, Rebecca Pyle)

(paper)


 

Fifteen Bytes

1 5   B Y T E S ,   U T A H   A R T S   M A G A Z I N E


http://artistsofutah.org/15Bytes/index.php/when-the-past-cannot-take-care-of-itself-rebecca-pyles-chapbook-the-underwater-american-songbook/

Mermaids, Violins, Relics
 (cover, mixed media artwork, Rebecca Pyle)


 

 


The_Underwater_American_Songbook_Cover (1)

T H E   U N D E R W A T E R   A M E R I C A N   S O N G B O O K


http://underwaternewyork.com/underwater-american-songbook/

Mermaids, Violins, Relics  (The Underwater American Songbook, 2018)  (chapbook’s cover art by poet: Rebecca Pyle)


 

 

remembered arts journal logo III

T H E   R E M E M B E R E D   A R T S   J O U R N A L


http://www.rememberedarts.com/the-reading-in-new-york-variations-on-andersen/
At Last, the Reading in New York  (Remembered Arts Journal, 2018)  (illustrative graphic: Rebecca Pyle)  (also, essay, story, same theme)

http://www.rememberedarts.com/ridden-away/
Ridden Away  (Remembered Arts Journal, 2018)  (ink and watercolor drawing, Rebecca Pyle)


 

 

Abstract magazine, f

A B S T R A C T   M A G A Z I N E


Near Jane Street: Psychics and Crystal Readings  (photograph, Rebecca Pyle)


 





Roanoke Review banner art

R O A N O K E   R E V I E W
(Roanoke College, Virginia)


http://www.roanokereview.org/interviews-backpage/rebecca-pyle

Five oil paintings, two drawings  (Roanoke Review, 2019)  (artwork appearing within text of Roanoke Review editor’s interview with artist/author Rebecca Pyle)


 

 

T H E   T I S H M A N   R E V I E W


Notes from the Herbalist’s Lecture  (Tishman Review, 2019)  (sketch, Rebecca Pyle)

(also, paper)


 

 

Anomaly cover, issue 7, 2018

A N O M A L Y  
(London)


For Anthony Bourdain  (Issue 7, Autumn 2017, Anomaly)  (oil painting, Rebecca Pyle) 

(also, paper)


 


oxford magazine, issue 41

O X F O R D    M A G A Z I N E
(Miami University)  (Ohio)


http://oxfordmagazine.org

Train He was On in Manhattan  (oil on canvas, Oxford Magazine issue 41)  (Oxford Magazine cover art, Rebecca Pyle)  (also, poem)

(also paper)

(painting’s image also a bookmark, distributed by Oxford Magazine at AWP conference, Portland, summer 2019)


 

 

tayo....

T A Y O   L I T E R A R Y   M A G A Z I N E


http://www.tayoliterarymag.com/taylor-fang
Raspberries Grew beside That Road  (oil on canvas, Rebecca Pyle)

http://www.tayoliterarymag.com/a-b-ulep
For Anthony Bourdain  (oil on canvas, Rebecca Pyle)

http://www.tayoliterarymag.com/brooke-matson
The Quail, the Roosterfish, and the Rock Ponder the Tomato  (oil on canvas, Rebecca Pyle)

The Streets of the Young at Night  (poem and illustration [broadsheet], pencil drawing, Rebecca Pyle)


 

 

2014-spring-cover watershed review

T H E   W A T E R S H E D   R E V I E W
(California State – Chico)


https://www.csuchico.edu/watershed/2018-fall/poetry/

A Findable and Unfindable Place  (The Watershed Review, 2018)  (poetry masthead page, oil painting: Rebecca Pyle)

https://www.csuchico.edu/watershed/2018-fall/art/pyle-rebecca.shtml

The Jacket with Orange Buttons  (The Watershed Review, 2018)  (oil painting, Rebecca Pyle)
On Rio Grande Street, the Megaplex  (The Watershed Review, 2018)  (oil painting, Rebecca Pyle)
A Findable and Unfindable Place  (The Watershed Review, 2018)  (oil painting, Rebecca Pyle)


 

Tulane Review Fall 2018 cover

T U L A N E   R E V I E W
(Tulane University, New Orleans)


The Tangerine Fire Escape, near Jane Street, West Village  (Tulane Review, 2018)  (photograph, Rebecca Pyle)

(paper & ISSUU)


 



Volume-19-Cover-2-768x940JuxtaProse cover

J U X T A P R O S E   


http://www.juxtaprosemagazine.org/volume-19/
http://www.juxtaprosemagazine.org/two-poems-by-xiao-yue-shan/
http://www.juxtaprosemagazine.org/ars-poetica-by-kristina-bicher/
http://www.juxtaprosemagazine.org/two-poems-by-brian-michael-murphy/

(JuxtaProse 2018)  (four oil paintings; one small image of colored-pencil broadsheet: Rebecca Pyle)


 

 

Cover art JuxtaProse art:lit journal volume 21 Rebecca Pyle

J U X T A P R O S E   


Volume 21

House at the End of Douglas Street  (2019 JuxtaProse cover: Rebecca Pyle)  (also, images of other Pyle artwork, throughout issue)

Rebecca Pyle bw image“How Art Rescues the Artist,” an interview with Rebecca Pyle, by Taylor Gianfrancisco, JuxtaProse poetry editor  (Vol. 21, JuxtaProse) 

https://juxtaproseblog.wordpress.com/2019/11/16/how-art-rescues-the-artist-an-interview-with-rebecca-pyle/


 

 

belle ombre jjjjjj

 

 

 

B E L L E   O M B R E  
(United Kingdom)


“Artworks by Rebecca Pyle”  (Belle Ombre, 2019)  (photographs, oil paintings, and one ink sketch: Rebecca Pyle)


 

Litro Magazine cover xxxxvx

L I T R O   M A G A Z I N E  
(London/United Kingdom)


The Horse at the House across the Street  (oil painting, Rebecca Pyle)  (also, essay: “A Writing Group, and Horses”)


 



The Menteur art:lit journal cover 2019

T H E   M E N T E U R  
(University of Kent’s Paris School of Arts & Culture)
(Paris & Canterbury campuses)


The Menteur ONLINE FULL VERSION 2019

The Woman in the Velvet Jacket  (oil painting, Rebecca Pyle)
Driving to the Great Salt Lake, Dark Bird on Your Shoulder  (oil painting, Rebecca Pyle)

(paper & ISSUU)


 

 


A L E X A N D R I A   Q U A R T E R L Y


http://www.alexandriaquarterlymag.com/rebecca-pyle

(Alexandria Quarterly, 2019)  (featured artist: several paintings; drawings, Rebecca Pyle)

(also: paper issue)


 

 

Thirty West JUL 7

T H I R T Y   W E S T   P U B L I S H I N G   H O U S E


Four Photographs, and a Drawing, in Thirty West‘s (online) The Weekly Degree  (Thirty West, 2019)  (artwork, Rebecca Pyle)  (also, short essay)

thirtywestph.com/column  
thirtywestph.com/column/rebeccapyle


 

 

Castabout journals, first issue, in box

C A S T A B O U T


(Artwork, forthcoming)


 

 

Tint Journal, German issue

T I N T   J O U R N A L  
(U.S., Austria, Germany)


https://www.tintjournal.com/fiction/short-story/101-jawbreaker

https://www.tintjournal.com/nonfiction/essay/110-living-in-between

(oil paintings accompanying Tint writers’ writing, 2020; Rebecca Pyle)


 



Screen Shot 2019-11-25 at 6.47.28 PM

T H E   P E R C H  
(Yale School of Medicine)


Silver Plant, Silver Pot  (The Perch, Vol. 5, )  (oil painting, Rebecca Pyle)

(also paper)


 



The Healing Muse vol. 19, no. 1 Fall 2019

T H E   H E A L I N G   M U S E
(SUNY Upstate Medical Universities)


In the Mayfair Hotel  (The Healing Muse, Vol. 19, No. 1: 2016)  (photograph, Rebecca Pyle)

(paper)


 



Pomme lit journal (Shakespeare, reading)

P O M M E   J O U R N A L


The Clay Fish Too Big for the Kiln (for Nicholas Hughes)  (2019, Vol. 1, Pomme Journal)  (oil painting, Rebecca Pyle)  (also, poem: “Summer, for Robert Green”)

(paper)


 

 

Tapestry, Ornate Clock, in Hotel

D R E A M    N O I R


Toy Store in Grand America Hotel; Display Robot; White Amaryllis in Windowsill; Psychics & Crystal Readings, West Village, Near Jane Street; Ornate Clock in Grand America Hotel  (Dream Noir: 2020)  (photographs, Rebecca Pyle)


 

 

deluge-journal-6-1 Fall 2020 cover

D E L U G E   J O U R N A L


Between Two Trees  (DeLuge Journal, Fall 2020)  (oil painting, Rebecca Pyle)

(also: paper issue)


 

 

Apeiron Review Issue 17 2020

A P E I R O N   R E V I E W


Iron at the Mayfair Hotel  (Apeiron Review, Issue 17, 2020)  (photograph, Issue 17, Apeiron Review, Rebecca Pyle)


 




T H E   M O V I N G   F O R C E   J O U R N A L


Looking Through Winter Window of Hotel, Manhattan  (The Moving Force Journal, 2020)  (photograph, Rebecca Pyle)


 

 

R A T H A L L A   R E V I E W  
(Rosemont College)


Drawings, paintings (Fall 2020 Rathalla Review)  (one of two artists with multiple pieces of artwork appearing throughout issue)


 

 

F O L I O  
(American University, Washington, D.C.)


Bringing Back a Moon Rock  (FOLIO 2020)  (oil painting, Rebecca Pyle)


 

 

city-view-reduced-2-2-scaled La Piccioletta Barba

L A   P I C C I O L E T T A   B A R C A  
(U.K./Greece)


Car in Front of the Sharply Glowing House, South Temple Street  (La Piccioletta Barca, 2020)  (photograph, also short written piece, Rebecca Pyle)


 

 

J U X T A P R O S E   L I T E R A R Y   M A G A Z I N E
(Idaho)


The Tangerine MiniCooper  (JuxtaProse, Vol. 23, Spring 2020)  (photograph, cover art: Rebecca Pyle)


 

 


  Dash Literary Journal 2020Dash LIterary Journal wraparound cover one 2020

D A S H  
(California State – Fullerton)


House of Sunflower and Yarrow  (Dash, 13th edition, 2020)  (oil painting, Rebecca Pyle)  (artwork is also part of melange of artwork, cover)

(paper)


 

 

A N O T H E R   C H I C A G O   M A G A Z I N E


The Cement House  (Another Chicago Magazine, spring 2020)  (oil painting, Rebecca Pyle)


 

 

L I T  M a g a z i n e  
(The New School, Manhattan)


The Carousel and the Racehorse  (May 2020, LIT)  (ink and watercolor drawing, on paper, Rebecca Pyle)  (also, fiction: “Diana the Thoroughbred”)


 

 

Barzakh Magazine Spring 2018 cover  

B A R Z A K H     
(SUNY – Albany)


The Moon Ownership  (Barzakh Magazine, Spring 2020)  (oil painting, Rebecca Pyle)





1 5   B Y T E S   U T A H 


Photographs, various  (April 2020, 15 Bytes Utah)  (photographs to go with fiction/essay “Shakespeare Wrote in the Time of Plague,”  both by Rebecca Pyle)


 

 

william and mary review cover vol. 58

T H E   W I L L I A M   A N D   M A R Y   R E V I E W
(The College of William and Mary)


Old Railroad Depot, Santa Fe, Hot August Day  (The William and Mary Review, Vol. 58, 2020)  (chalk, pastels: drawing, Rebecca Pyle)

(online; ISSUU; also paper)


 

 


A Snow Globe, Containing Mermaid

R I V E R    R I V E R  
(Hudson Valley, New York)


Snow Globe Containing Mermaid  (River River, Issue 11, Spring 2020)  (photograph, Rebecca Pyle)


 

 

HCE Review Magazine Green Issue  

H C E   M A G A Z I N E
(Coventry: U.K.)


Red Green Blue: Oppenheimer’s Cottage  (Here Comes Everything Magazine, 2020)  (oil painting, Rebecca Pyle)


 

 

hitchlit3.2-1 cover

T H E   H I T C H L I T   R E V I E W


Cover art:  From Above, Smithson Thought the Jetty Looked Like a Cap His Mother Had Knitted Him  (HitchLit Review 3.2, 2020)  (oil on canvas, Rebecca Pyle)  (artist’s creative nonfiction essay “The Spiral Jetty as Woolen Cap” in same issue)


 

 

Sand Hills cropped-4.PNG.SquareSmallBird.BlueBackground.RGB_.72dpi-1

S A N D   H I L L S 
(Augusta University; Georgia)


The Cowboy Who Understood the Ocean  (Sand Hills, 2020 ‘online exclusive’)  (oil on canvas, Rebecca Pyle)


 

 


Gulf Stream-cropped-gulf-stream-logo-black

Gunsmoke

G U L F   S T R E A M   
(Florida International University)


Gunsmoke  (oil on canvas, Rebecca Pyle)
The Cancer of Roland  (oil on canvas, Rebecca Pyle)
Where the Plums Will Fall  (oil on canvas, Rebecca Pyle)
The Lost Russian Print (Santa Fe)  (oil on canvas, Rebecca Pyle)
Sometimes a Fireplace is an Envelope  (oil on canvas, Rebecca Pyle)

(Gulf Stream, Issue 2020)


 

 

Gris-Gris literary journal

G R I S –  G R I S
(Nicholls State University: New Orleans)


Curtis, and the Campfire West
Three Angry Girls Under an Umbrella
Driving to the Great Salt Lake, a Dark Bird on Your Shoulder  
The Cowboy Who Understood the Ocean  
From Peterson’s Garden IV

(all oils on canvas; Gris-Gris, Issue 11, Winter 2021)  (also, short story, “The Girl Who Lived in the Lighthouse with Her Brother)


 

 

Blood Orange Review 2008

B L O O D   O R A N G E   R E V I E W 
(Washington State University)


Jacket with Orange Buttons, in black and white  (Blood Orange Review 12.2, 2020)  (oil on canvas, Rebecca Pyle)


 

 

Volume-25-Cover-2 JuxtaProse bocce

J U X T A P R O S E 


The Young Man in India Who was Cold, cover for 2021 issue of JuxtaProse  (oil on canvas, Rebecca Pyle)

(forthcoming)


 




Penumbra paintings

P E N U M B R A 
(California State – Stanislaus)


The Rose Laundry, oil on canvas (Penumbra 2021)

(forthcoming)


 




Cream City Review cover spring 2020  Cream City Review cover 2013

C R E A M   C I T Y   R E V I E W
(University of Wisconsin – Milwaukee)


The Hairdresser, as Expected
The Dentist’s Office on the Lower Floor, its Windows Full of Enormous Boulders 

(Cream City Review, 2021)  (paintings, oils on canvas; Rebecca Pyle)

(forthcoming)


 

 

Kleksograph, cover, volume3

 T H E   K L E K S O G R A P H
(Belgium)


Coins, Crowns, Mermaid  (The Kleksograph, volume 5, 2020)  (also, photograph, same issue, “The Crown and Mermaid”)

(forthcoming)


 

 

The Madison Review, cover

T H E   M A D I S O N   R E V I E W
(University of Wisconsin -Madison)


Men in Blue, Playing Music  (The Madison Review, 2021)  (pastel on wood, Rebecca Pyle)

(forthcoming)


 

 






 



Rebecca_Pyle_photograph_against_pale_wall     cropped-11babd93d9bad2c4680a20813b5cb30e


ARTWORK / GALLERIES

The 814 Gallery; The Bountiful-Davis Art Center’s annual statewide show; The Eccles Art Center-Ogden; The Eccles Art Center-Salt Lake City; The Sorensen Center Gallery; two-artist show, fourth-floor gallery, The Salt Lake City Main Library; the historic Salt Lake City-County Building; The Alderwood Gallery; solo show, The Tin Angel; solo show, The Coffee Garden; solo show in Anderson-Foothill Library’s downstairs gallery; private collections.

Drawings, photographs, and paintings published in art/lit journals in the United States, the United Kingdom, Austria, Germany, India, Belgium, France.




http://artistsofutah.org/15Bytes/index.php/choreographing-canvas-rebecca-pyles-expressionist-symphonies/
“Choreographing Symphonies, Artwork by Rebecca Pyle,” by Hannah Sandorf Davis  (15 Bytes, Utah’s Art Magazine, January 2018)




 

 

cropped-11babd93d9bad2c4680a20813b5cb30e 
P U B L I C A T I O N S



W R I T I N G

 

cover_6

S T O N E B O A T   J O U R N A L


“What Does the Sun Need”  (Stoneboat Journal, 2016)  (short story, Rebecca Pyle)

(paper)


 

 

wisconsin review cover

W I S C O N S I N   R E V I E W
(University of Wisconsin)


“The Christmas Ornament”  (Wisconsin Review, 2017)  (short story, Rebecca Pyle)

(paper)


 

 

muse-16-cover-gold

T H E   H E A L I N G   M U S E    
(Medical Universities – SUNY)


“The Sun, The Promise”  (The Healing Muse, 2016)  (poem, Rebecca Pyle)

(paper)


 

 

 indian-review-logo-e1397529191591

I N D I A N   R E V I E W  
(India)


“Jewelry Poems”  (Indian Review, 2016)  (five poems, Rebecca Pyle)
“O, House”  (Indian Review, 2018)  (novel excerpt, Rebecca Pyle)


 



c7_160x241

C O N S T E L L A T I O N S


“Several Men Came Asking”  (Constellations, 2017)  (poem, Rebecca Pyle)
“What Good New York, the City?”
  (Constellations, 2017)  (poem, Rebecca Pyle)

(paper)


 

 

images-23

U N D E R W A T E R   N E W   Y O R K


“As if Waiting to be Set: the Whirling Lost Objects, in Space”  (Underwater New York, 2017)  (poem, Rebecca Pyle)


 

 

bangalore review iv

bangalore review ii

T H E   B A N G A L O R E   R E V I E W  
(India)


“Making Prints”  (The Bangalore Review, 2016)  (poem, Rebecca Pyle)

“Unfound” 
 (The Bangalore Review, 2018)  (poem, Rebecca Pyle)


 



TAJ 1

T A J   M A H A L   R E V I E W   (India)


“The Salt King”  (Taj Mahal Review, 2016)  (poem, Rebecca Pyle)

(paper)


 

 

The Remembered Arts Journal logo

T H E   R E M E M B E R E D   A R T S   J O U R N A L


“At Last, the Reading in New York”  (Remembered Arts Journal, 2017)  (short story, Rebecca Pyle)
“At Last, the Reading in New York”  (Remembered Arts Journal, 2017)  (illustrative graphic, Rebecca Pyle)
“To Speak or Not to Speak”  (Remembered Arts Journal, 2017)  (essay, Rebecca Pyle)


 



images-10

R E Q U I T E D   J O U R N A L
(Chicago)


“Would Have Done”  (Requited Journal, 2017)  (poem, Rebecca Pyle)


 



Roanoke Review

R O A N O K E   R E V I E W
(Roanoke College)


“The Beauty of the Fork”  (Roanoke Review, 2018)  (poem, Rebecca Pyle)
“On Muses and Musing”  (Roanoke Review, 2018)  (interview with Rebecca Pyle)  (accompanied by several images of paintings, drawings, by Rebecca Pyle)

(also in Roanoke Review: reading/podcast of poem “The Beauty of the Fork”)


 

 

Poor Yorick, iiiiiiiii

P O O R   Y O R I C K
(Western Connecticut State University)


“The King’s Well”  (Poor Yorick, 2017)  (poem, Rebecca Pyle)


 

 

cobalt 4

C O B A L T   R E V I E W


“The Salt King”  (“The Salt King” originally published in Taj Mahal Review)
“The Salt Queen”
“The Salt Child”

(published as set/trio, Issue 20, Cobalt Review)  (poems, Rebecca Pyle)


 

 

cobalt review radioactive lit

C O B A L T   R E V I E W
(Chicago)


“Because I Did Not Have”  (Cobalt Weekly No. 1, 2019)  (poem, Rebecca Pyle)


 

 

Map Literary xxx

M A P   L I T E R A R Y
(William Paterson University)


“Winter Solstice”  (Map Literary, 2018)  (short story, Rebecca Pyle)


 

 

Fifteen Bytes

Wall of Meditation in Blue - Downen

1 5   B Y T E S   U T A H
(reviews: by Rebecca Pyle)


http://artistsofutah.org/15Bytes/index.php/author/rebecca-pyle/

“The Geometry of Love: Plan-B’s Weird Play”  (Rose Wagner Theater)

“We Made a Garden: Familiar Fauna by the Women Ostraff at Rio Gallery” 

“Chamomile for Elsinore: Tea Tuesdays at the Marmalade Library”

“Stories to Tell: A Conversation with Ann Poore”  (an interview)

“Jennifer Rasmusson Takes Flight with New Abstracts at ‘A’Gallery”

“Retrace: Linnie Brown’s Puzzle Project”  (Allen and Alan Gallery)

“Where Horses Roam: Review of Patrick Dean Hubbell at Modern West”

“A Captivating Curse: Elisabeth Bunker Explores Dirt, Inversions, and Beauty at Draw, Inc.”

“Matt Flint Reveals Wildlife Character in the Gloaming”  (Gallery Mar, Park City)

“The Mystery and Melancholy of Spring: Paintings by Lindsay Frei and Trent Call at 15th Street Gallery”

“Vomela, Payan, and Downen: A Symphony of Color at Downtown Artist Collective”

“The Present Tense: Lee Udall Bennion at David Ericson Fine Art”

“Susan Jarvis and Darryl Erdmann Bring Bright Sweets and Dark Depths to 15th Street Gallery”

“Poiesis: Sail-Away Art of Three-Dimensional Prints at Art Access Gallery”

“A Perpetual Dream-Oasis of Food and Love at Art Access’ Palate”

“Doilney’s ‘A Sense of Place’ at ‘A’ Gallery is a Jewel Box Lavishly and Bravely Spilled”

“Megan Gibbons’ Powerfully Simple Voyagers Enjoy the Sea Air”  (The Phillips Gallery)

“You Are of the Land: Sam Walker and Danielle Susi at Bountiful Davis”

“A Visit to Utah Division of Arts and Museum’s State Annual”  (Rio Gallery)

“Destiny and Petits Fours: Heather Barron and Nancy Vorm at The Phillips”

“George Handrahan Paints for Disconsolate Angels”  (David Ericson Fine Art)

“David LeCheminant and the Sacred at Meyer Gallery”

“How Do You Review Mountains? Jena Schmidt’s Oil Paintings; Samuel Parker’s 1835 Journal”  (Allen & Alan Gallery)

“Still Here: Rebecca Pyle”  (part of 15 Bytes Utah’s 2020 Still Here essay series)


 

 

The_Underwater_American_Songbook_Cover (1)

T H E   U N D E R W A T E R   A M E R I C A N   S O N G B O O K


Published within/by Underwater New York, 2018  (poetry chapbook & cover art; all by Rebecca Pyle)


 

 

modern west logo
Beatrice Mandelman, Wolcott Ely, Taos, Life Magazine photo

M O D E R N   W E S T   F I N E   A R T


http://www.modernwestfineart.com/press-2018/
“Patrick Dean Hubbell at Modern West”  (review, by Rebecca Pyle)


 

 

Print

1412184815431

A L L E N  +  A L A N   F I N E   A R T


http://www.agalleryonline.com/past-exhibitions/
“New Abstracts: Jennifer Rasmusson”  (review, by Rebecca Pyle)

http://www.agalleryonline.com/exhibition-1/
“Retrace: Linnie Brown”  (review, by Rebecca Pyle)

https://www.agalleryonline.com/doilney-toni
“Doilney: A Jewelry Box Lavishly and Bravely Spilled”  (review, by Rebecca Pyle)


 



Lindenwood Review volume nine cover

T H E   L I N D E N W O O D   R E V I E W
(Lindenwood University)


“Jar of Honey”  (Issue Nine, Lindenwood Review, 2019)  (short story, Rebecca Pyle)

(paper)


 



Twyckenham Notes logo

T W Y C K E N H A M   N O T E S
(Indiana)


“Whom You Remember”  (Twyckenham Notes, 2019)  (poem, Rebecca Pyle)

(also: author’s reading/podcast of poem)


 



oxford magazine, issue 41

O X F O R D   M A G A Z I N E
(Miami University)  (Ohio)


“The Beauty of Mid-Century Moderns”  (Issue 41, Fall 2018, Oxford Magazine)  (poem, and that issue’s cover art, The Train He was On in Manhattan)

(also paper)


 

 

The Penn Review Poetry Prize

T H E   P E N N   R E V I E W
(University of Pennsylvania)


“The Young in New York”  (finalist for The Penn Review Poetry Prize 2018) (poem, Rebecca Pyle)

(poem appears in Penn Review 2019 issue; online, also, their print/paper issue)


 

 

Equinox-Logo-Read-The-Latest-Issue

E Q U I N O X   P o e t r y   a n d   P r o s e


“All You Want is to Weep in the Desert”  (Equinox, 2018)  (poem, Rebecca Pyle)


 

 

FrontCover Die Leere Mitte issue one

D I E   L E E R E   M I T T E  
(Berlin)


“Compass with More Points than Four”  (poem)
“Everything Grows Beside”  (poem)
“The Panneitz Theorem” (poem)

(Die Leere Mitte, Vol. 1, 2019)  (three poems; Rebecca Pyle)

(also paper)


 

 


issue-4

D I E   L E E R E   M I T T E  
(Berlin)


“Acknowledgement”  (Die Leere Mitte, Vol. 4, 2019)  (poem, Rebecca Pyle)

(also paper)


 

 

Litro

L I T R O   M A G A Z I N E  
(London/United Kingdom)


 

The Horse at the House across the Street, intense dark blue, high quality
L I T R O – essay

“A Writing Group, and Horses”  (Litro, 2018, U.K. edition)  (also “Horse at the House across the Street”)  (essay and painting: Rebecca Pyle)

Litro Chaplin
L I T R O – essay

“Writing, and Chaplin”  (Litro, U.K., 2019)  (essay, Rebecca Pyle)


 

 

national poetry review 16

T H E   N A T I O N A L   P O E T R Y   R E V I E W


“Our Snow Land”  (2018, annual issue, The National Poetry Review: Vol. 17)  (poem, Rebecca Pyle)


 

 

Bridge Eight, cover, butterflies

B R I D G E   E I G H T


“Thrown Back into the Ocean”  (Bridge Eight, 2019)  (novel excerpt/story, Rebecca Pyle)


 

 

Pomme Journal One

P O M M E   J O U R N A L


“Summer (for Robert Green)”  (2019, Issue One, Pomme Journal)  (poem, Rebecca Pyle)
(also, artwork: The Clay Fish Too Big for the Kiln, same issue)

(paper)


 



Coffin Bell logo

Surreal portrait


C O F F I N   B E L L   J O U R N A L

“Forgotten”  (Coffin Bell Journal, Vol. 2, Issue 4, 2018)  (poem, Rebecca Pyle)
(artwork by author, The Horse at the House across the Street, in same issue)


 

 

MUSE :A Journal

M U S E  / A    J  O U R N A L


“Old Women”  (Muse/A Journal, 2019)  (essay, Rebecca Pyle)


 

 

Forbidden Peak Press volume one

F O R B I D D E N   P E A K   P R E S S


“Trimming the Lavender”  (Forbidden Peak Press, Vol. 1, 2018)  (poem, Rebecca Pyle)

(also paper)


 

 

Thirty West Publishing House logo, blue version

T H I R T Y   W E S T


“Four Photographs and a Drawing”  (Thirty West, 2019)  (also short essay accompanying author’s artwork)


 

 

The Chattahoochee Review

T H E   C H A T T A H O O C H E E   R E V I E W
(Georgia State University)


“Buster Keaton”  (Fall/Winter 2019/2020 issue, Chattahoochee Review)  (poem, Rebecca Pyle)

(paper)


 



Sweet Tree Review

S W E E T   T R E E   R E V I E W


“Cufflinks”  (2019, Vol. 4, Summer issue, Sweet Tree Review)  (novel excerpt/short fiction, Rebecca Pyle)


 

 

Cover art JuxtaProse art:lit journal volume 21 Rebecca Pyle

J U X T A P R O S E   
(Idaho)


Taylor Gianfrancisco interview: “How Art Rescues the Artist: An Interview with Rebecca Pyle”  (JuxtaProse, 2018)  (cover art is by Rebecca Pyle)


 

 

Belletrist_vol4_Cover_Final-pdf

B E L L E T R I S T   M A G A Z I N E
(Bellevue College, Washington)


“Perennialism”  (Belletrist, 2019)  (short story, Rebecca Pyle)


 

 

wild roof journal

W I L D   R O O F   J O U R N A L
(New York)


“An Ornithology of Stars” 
“Where We Are”  
“The Herbalists”  

(Wild Roof Journal, Vol. 1, 2019)  (three poems; Rebecca Pyle)


 

 

Shakespeare with Large Owl, b&w

1 5   B Y T E S   U T A H


“Shakespeare Wrote in the Time of Plague”  (April 2020, 15 BYTES)  (short fiction, Rebecca Pyle)  (photographs, also, by author)


 

 

LIT Magazine cityscape cover

L I T   M a g a z i n e  
(The New School, Manhattan)


“Diana the Thoroughbred”  (LIT, 2019)  (short fiction, Rebecca Pyle) (also, ink and watercolor drawing, The Carousel and the Racehorse) 


 

 

C O M M O N   G R O U N D   R E V I E W
(Western New England University)


“Two Lions, and a Tea Cupboard”  (Common Ground Review, Issue 17, 2021)  (creative nonfiction (essay), Rebecca Pyle) 

(forthcoming)


 

 


|The Cape Rock- Poetry issue 47 cover

T H E   C A P E   R O C K  :  P O E T R Y 
(Southeast Missouri State University)


“So Many Stares of Stars”  
“Once There was Salt and Pepper; and God”
“The Hedge between Two Houses”
“While Edison is in Brussels”
“The Pottery”

(The Cape Rock, Volume 48, 2020)  (five poems; Rebecca Pyle)

(also forthcoming: paper)


 

 

Guesthouseisapanoplyofmodernwritingandart-6

G U E S T H O U S E
(Iowa City, Iowa)


“White as Clouds”  (Guesthouse, Issue 6, 2020)  (fiction, Rebecca Pyle)

(Guesthouse editors nominated this story for a Pushcart Prize)


 



Gargyole magazine, Issue 72

G A R G O Y L E   M a g a z i n e
(Washington, D.C.)


“The Pond by the Anthropology Museum”  (Gargoyle Magazine, 2021)  (fiction, Rebecca Pyle)

(forthcoming)  (paper)


 

 

Underwood

U N D E R W O O D   R E V I E W


“To the Sea”  (Underwood, Vol. 4, 2020)  (fiction, Rebecca Pyle)

 


 

 

hitchlit3.2-1 cover

T H E   H I T C H L I T   R E V I E W
(editors at University of Wisconsin – Stout)


“The Spiral Jetty as Woolen Cap”  (HitchLit Review 3.2, 2020)  (creative essay, Rebecca Pyle)  (also, issue’s cover art: From Above, the Spiral Jetty Looked Like a Cap His Mother Had Knitted Him)


 

 


Posit, May 2020

P O S I T
(Manhattan)


“Cartoon of Goodness”  (Posit, 2021)  (short fiction, Rebecca Pyle)
“The Dying Plane”  (Posit, 2021)  (novel excerpt, Rebecca Pyle)

(both forthcoming)


 

 

Gris-Gris literary journal

G R I S  –  G R I S  
(Nicholls State University: New Orleans)


“The Girl Who Lived in the Lighthouse with Her Brother”  (Gris-Gris, Issue 11, Winter 2021)  (fiction, Rebecca Pyle)  (five oil paintings by author also in issue)






The Honest Ulsterman

T H E   H O N E S T   U L S T E R M A N
(Londonderry: Northern Ireland)


“Island Like a Sacred Basket”  (The Honest Ulsterman, February 2021)  (poem, Rebecca Pyle)


 

 

Kleksograph cover volume 2

T H E   K L E C K S O G R A P H
(Belgium)


 “The Crown and Mermaid”  (The Klecksograph, Volume 5, May 2020)  (fiction, Rebecca Pyle)  (also, photograph: Coins, Crowns, Mermaid)

(forthcoming)


 

In Parentheses cover 2020

I N   P A R E N T H E S E S
(New York City)


“Needless”
“Time, Answered”
“Je Suis Generis, the Parrot”

(In Parentheses, April 2021)  (three poems, Rebecca Pyle)


 




 

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