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P U B L I C A T I O N S



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N E W   E N G L A N D   R E V I E W


The Rose Laundry  (New England Review, 2017)  (oil painting, Rebecca Pyle)

Man Making Music in the Forest  (New England Review, 2016)  (oil painting, Rebecca Pyle)

Black Rock  (New England Review, 2017)  (oil painting, Rebecca Pyle)

The Milk Sea  (New England Review, 2018)  (oil painting, Rebecca Pyle)

Man Making Music in the Forest  (New England Review, 2018)  (oil painting, Rebecca Pyle)

 

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H A W A I ‘ I   R E V I E W


Hills beside Highway, below Los Alamos  (Hawai’i Review, 2016)  (oil painting, Rebecca Pyle)

Red Blue Green: Oppenheimer’s Cottage, Los Alamos  (Hawai’i Review, 2017)  (oil painting, Rebecca Pyle)

Spaceport, North Temple Street, Salt Lake City  (Hawai’i Review, 2017)  (oil painting, Rebecca Pyle)

Between Two Trees  (Hawai’i Review, 2016)  (oil painting, Rebecca Pyle)

 

ravenchronicles-v24 cover

R A V E N   C H R O N I C L E S   J O U R N A L
(cover art)


The Fireplace in the Violinists’ House  (Raven Chronicles Journal‘s cover: oil painting, Rebecca Pyle)

The Fireplace in the Violinists’ House  (Raven Chronicles Journal pre-press bulletin)  (oil painting, Rebecca Pyle)

Old Gray House on Corner surrounded by Rock Garden  (within same issue, Raven Chronicles Journal, 2017, charcoal sketch, Rebecca Pyle)

Adobe, Terasita Street, Taos, with Painting in Window  (within same issue, Raven Chronicles Journal, 2017)  (chalk, pastels, paper, Rebecca Pyle)

(Vol. 24, 2017, Raven Chronicles Journal: paper)

 

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F R I E N D S   O F   T H E   G R E A T   S A L T   L A K E


Black Rock, Surrounded by Chartreuse (Friends of Great Salt Lake, Summer, 2017)  (oil painting, Rebecca Pyle (p. 5)

(also paper)

 

sine cera

S I N E   C E R A


In the Somewhere in Time issue, sine cera:

Between Two Trees  (oil painting, Rebecca Pyle) (p. 42)
(also, paper)

(In the Writing it Down issue, sine cera: photographs used as part of artwork on cover, Rebecca Pyle)

(also paper)

 

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I N K L E T T E


https://inklettemagazine.com/2017/09/01/the-red-hill/ (Inklette, 2017)  oil painting, Rebecca Pyle

The Red Hill  (Inklette, 2017)  (oil on aged canvas, Rebecca Pyle)

Oceandark Fish and Island  (Inklette, 2017)  (illustration, drawing: Rebecca Pyle)

Abandoned North House  (Inklette, 2017)  (illustration, drawing: Rebecca Pyle)

 

 

2013 cover

P E R M A F R O S T   (Alaska)


The Alta Club Building, Salt Lake City  (Permafrost, Issue 38, No. 2)  (oil painting, Rebecca Pyle)

Contributor bios (Permafrost, Issue 38, No. 2)  (“The Great Seclusion”)

 

DeLuge journal cover 2017

D E L U G E   J O U R N A L


Chartreuse surrounding Great Rock, Great Salt Lake  (DeLuge Journal, 2017)  (oil painting, Rebecca Pyle)

(ISSUU and paper)

 

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T H E   H E L I X   M A G A Z I N E

 


The Milk Sea  (The Helix, 2018)  (mixed media, Rebecca Pyle)

The Alta Club Building, Salt Lake City  (The Helix, 2018)  (oil painting, Rebecca Pyle)

(also paper)

 

Stoneboat 2018

S T O N E B O A T   J O U R N A L


Old Gray House on Corner, Surrounded by Rock Garden  (Stoneboat, 2018)  (charcoal sketch, Rebecca Pyle)

(paper)

 

Dark Ink Magazine promotional photo of

D A R K   I N K   M A G A Z I N E


Pale Horse at the House across the Street  (Dark Ink, 2018)  (oil painting, Rebecca Pyle)

(paper)

 

Wayne Literary Review

W A Y N E   L I T E R A R Y   R E V I E W


La Fonda Lobby, Santa Fe  (Wayne Literary Review, 2018)  (chalk and pastels on paper, Rebecca Pyle)
The Cigar Store Indian is the God of the Homeless  (Wayne Literary Review, 2018)  (oil painting, Rebecca Pyle)
The Red Hill  (Wayne Literary Review, 2018)  (oil painting, Rebecca Pyle)

(paper)

 

The Emerson Review, number 47

T H E   E M E R S O N   R E V I E W


The Red Hill  (Vol. 47, The Emerson Review, 2018)  (oil painting, Rebecca Pyle)

(ISSUU and paper)

 

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T H E   W I L L I A M   A N D   M A R Y   R E V I E W


Turkish Cup, Glass Blocks, in Windowsill  (2016, The William & Mary Review)  (photograph, Rebecca Pyle)

(paper)

 

Fifteen Bytes

1 5   B Y T E S   U T A H


Mermaids, Violins, Relics  (Artists of Utah’s 15 Bytes, 2019)  (review of chapbook, 2018)  (cover, mixed media artwork, Rebecca Pyle)

 

The_Underwater_American_Songbook_Cover (1)

T H E   U N D E R W A T E R   A M E R I C A N   S O N G B O O K


Mermaids, Violins, Relics  (chapbook’s cover: Rebecca Pyle)  (The Underwater American Songbook, cover art, for poetry chapbook by Rebecca Pyle; published by art/lit journal Underwater New York, 2018)

 

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T H E   R E M E M B E R E D   A R T S   J O U R N A L


At Last, the Reading in New York  (Remembered Arts Journal, 2018)  (story, essay, illustrative graphic: Rebecca Pyle)

Ridden Away  (Remembered Arts Journal, 2018)  (ink, watercolor, Rebecca Pyle)

 

Abstract magazine, f

A B S T R A C T   M A G A Z I N E


Near Jane Street: Psychics and Crystal Readings  (photograph, Rebecca Pyle)

(forthcoming)

 

Roanoke Review banner art

R O A N O K E   R E V I E W


Five oil paintings, two drawings  (Roanoke Review, 2019)  (artwork, appearing within text of Roanoke Review‘s interview with Rebecca Pyle)

 

T H E   T I S H M A N   R E V I E W


Notes from the Herbalist’s Lecture  (April 2019, Tishman Review)  (sketch, Rebecca Pyle)

(also paper)

 

Anomaly cover, issue 7, 2018

A N O M A L Y   L I T E R A R Y   J O U R N A L  (London)


For Anthony Bourdain  (Issue 7, Autumn 2017, Anomaly)  (oil painting, Rebecca Pyle) (p. 50)

(also paper)

 

A3 Review list of winners

T H E   A 3   R E V I E W   (London)


Shortlisted, unpublished:

The Truck Found the House in the Forest, the Trunk where it had Always Been, just inside the Door  (oil painting, Rebecca Pyle)

 

oxford magazine, issue 41

O X F O R D    M A G A Z I N E   (cover art)


Train He was On in Manhattan  (oil on canvas, Oxford Magazine issue 41)  (painting on cover, Rebecca Pyle)

(also paper)

(also, a bookmark image, drawn from same cover art distributed by OxMag at AWP conference, Portland, summer 2019)

 

tayo....

T A Y O   L I T E R A R Y   M A G A Z I N E


Raspberries Grew beside That Road  (Tayo)  (oil on canvas, Rebecca Pyle)

For Anthony Bourdain  (Tayo)  (oil on canvas, Rebecca Pyle)

The Quail, the Roosterfish, and the Rock Ponder the Tomato  (Tayo)  (oil on canvas, Rebecca Pyle)

The Streets of the Young at Night  (Tayo)  (broadsheet poem and drawing by Rebecca Pyle)

 

2018-fall-cover Watershed Review

T H E   W A T E R S H E D   R E V I E W


(ARTWORK: Watershed Review, 2018)  (three oil paintings: Rebecca Pyle)

The Jacket with Orange Buttons  (Watershed Review, 2018)  (oil painting, Rebecca Pyle)
On Rio Grande Street, the Megaplex  (Watershed Review, 2018)  (oil painting, Rebecca Pyle)
A Findable and Unfindable Place  (Watershed Review, 2018)  (oil painting, Rebecca Pyle)

 

tulane review...

T U L A N E   R E V I E W


The Tangerine Fire Escape, near Jane Street, West Village  (photograph, Rebecca Pyle)

(paper & ISSUU)

 

Volume-19-Cover-2-768x940JuxtaProse cover

J U X T A P R O S E


JuxtaProse, Volume 19, 2019

http://www.juxtaprosemagazine.org/two-poems-by-xiao-yue-shan/  (Pyle art accompanies)

http://www.juxtaprosemagazine.org/ars-poetica-by-kristina-bicher/  (Pyle art accompanies)

http://www.juxtaprosemagazine.org/two-poems-by-brian-michael-murphy/  (Pyle art accompanies)

http://www.juxtaprosemagazine.org/to-the-man-who-tried-to-grab-my-face-through-the-cars-open-window-by-carolyn-oliver/  (Pyle art accompanies)

(Four oil paintings; one small image of colored-pencil broadsheet: Rebecca Pyle)

 

Cover art JuxtaProse art:lit journal volume 21 Rebecca Pyle

J U X T A P R O S E   (cover art)


JuxtaProse, Volume 21, 2019

House at the End of Douglas Street  (JuxtaProse cover: Rebecca Pyle) (also this issue’s featured artist: Rebecca Pyle)

Rebecca Pyle bw image   JuxtaProse interview with Rebecca Pyle

(JuxtaProse online blog, JuxtaProse website, Taylor Gianfrancisco interview (“How Art Rescues the Artist: An Interview with Rebecca Pyle”)  (Vol. 21, JuxtaProse)  (Rebecca Pyle)


 

 

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B E L L E   O M B R E   (United Kingdom)


“ARTWORKS by Rebecca Pyle”  (Belle Ombre, 2019)  (photographs, oil paintings, and ink drawing: Rebecca Pyle)

 

 

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L I T R O   M A G A Z I N E   (London/United Kingdom)


The Horse at the House across the Street  (Litro, 2019)  (oil painting, Rebecca Pyle)

 

The Menteur art:lit journal cover 2019

T H E   M E N T E U R   (University of Kent’s Paris School of Arts & Culture, Paris)


The Menteur ONLINE FULL VERSION 2019

The Woman in the Velvet Jacket  (oil painting, Rebecca Pyle)
Driving to the Great Salt Lake, Dark Bird on Your Shoulder  (oil painting, Rebecca Pyle)

(paper & ISSUU)

 

Alexandria Quarterly cover image

A L E X A N D R I A   Q U A R T E R L Y


The Royal Box; The Young Man in India Who was Cold; Red Ladder, Lemon Harbor; The Truck that Found the House in the Forest; Red Yellow Blue: The Winter Greenhouse  (Alexandria Quarterly, 2019)  (five oil paintings: Rebecca Pyle) 

(also paper)

 

THP Logo Books Collage 2018 - square

T O R R E Y   H O U S E   P R E S S


Various artwork  (oil painting or paintings, Rebecca Pyle)

(forthcoming)

 

Thirty West JUL 7

T H I R T Y   W E S T   P U B L I S H I N G   H O U S E


Four Photographs, and a Drawing, in Thirty West‘s (online) The Weekly Degree  (drawing, photographs: Rebecca Pyle)

thirtywestph.com/column  
thirtywestph.com/column/rebeccapyle

 

Castabout journals, first issue, in box

C A S T A B O U T


Looking Down at the Table in January  (photograph, for upcoming Castabout cover; Rebecca Pyle)

Outside of King Lear: Manhattan  (photograph, for upcoming Castabout cover; Rebecca Pyle)

(two 2020 Castabout covers: forthcoming)

 

Tint Journal, German issue

T I N T   J O U R N A L  (U.S., Austria, Germany)


The Timely House  (Tint Journal, 2018)  (oil painting, Rebecca Pyle)

House of Yarrow and Sunflowers  (Tint Journal, 2018)  (oil painting, Rebecca Pyle)

 

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T H E   P E R C H   (Yale School of Medicine)


Silver Plant, Silver Pot  (Vol. 5, Fall issue, The Perch)  (oil painting, Rebecca Pyle)

(also paper)

 

The Healing Muse vol. 19, no. 1 Fall 2019

T H E   H E A L I N G   M U S E   (SUNY)


In the Mayfair Hotel  (Vol. 19, No. 1, The Healing Muse)  (photograph, Rebecca Pyle)

(paper)

 

Pomme lit journal (Shakespeare, reading)

P O M M E


The Clay Fish Too Big for the Kiln (for Nicholas Hughes)  (Issue One, Pomme, 2019)  (oil painting, Rebecca Pyle)

(paper)

 

Tapestry, Ornate Clock, in Hotel

D R E A M    N O I R


Toy Store in Grand America Hotel; Display Robot; White Amaryllis in Windowsill; Psychic & Crystal Readings, West Village, Near Jane Street; Ornate Clock in Grand America Hotel  (Dream Noir, 2020)  (photographs, Rebecca Pyle)

 

 

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D E L U G E   J O U R N A L


Between Two Trees  (DeLuge Journal, 2020)  (oil painting, Rebecca Pyle)

(forthcoming)

(also paper)

 

Apeiron Review 2016 cover

A P E I R O N   R E V I E W


Iron, Mayfair Hotel  (Apeiron Review, 2020)  (photograph, Rebecca Pyle)

(forthcoming)

 

The Moving Force Journal : Spring 2020 : Issue 2

T H E   M O V I N G   F O R C E   J O U R N A L


Through Winter Window of Hotel, Manhattan  (The Moving Force Journal, Issue 2, 2020)

(black and white  photograph, Rebecca Pyle)

 

Rathalla Review spring 2020

R A T H A L L A   R E V I E W   (Rosemont College)


Click to access RR_Spring2020-1.pdf

Artwork, throughout issue (Spring 2020 Rathalla Review)  (paintings, drawings: Rebecca Pyle)

(also paper)

 

Folio cover, Vol. 35, Issue One

F O L I O   (American University)


Bringing Back a Moon Rock  (Vol. 35, Issue one, FOLIO, 2020)  (oil painting, Rebecca Pyle)

(also paper)

 

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L A   P I C C I O L E T T A   B A R C A   (U.K., Athens)


The Car in Front of the Sharply Glowing House, South Temple Street  (La Piccioletta Barca, Issue 19, 2020)  (photograph, (Rebecca Pyle)

 

DASH literary journal ii

D A S H


House of Yarrow and Sunflowers  (Dash, 2020)  (oil painting, Rebecca Pyle)

(forthcoming)

 

Shakespeare with Wilted Daffodils in Blue Glass.jpg

15  B Y T E S   U T A H


Photographs of Tiny Shakespeare  (Artists of Utah’s 15 Bytes, 2020)  (photographs, and fiction: Rebecca Pyle)

 

Volume-23 Spring 2020 JuxtaProse Rebecca Pyle photograph Near Jane Street

J U X T A P R O S E    (cover art)


Near Jane Street: the Tangerine MiniCooper  (JuxtaProse Spring 2020)  (photograph, cover: Rebecca Pyle)

 

Another Chicago Magazine another cover

A N O T H E R   C H I C A G O   M A G A Z I N E


The Cement House  (Another Chicago Magazine, 2020)  (oil painting, Rebecca Pyle)

/https://The Cement House  (Another Chicago Magazine, 2020)/2020/05/13/dispatch-from-a-pandemic-los-angeles-by-christina-simon-2/ 

 

The Carousel and the Racehorse

LIT magazine

L I T   M a g a z i n e   (The New School)


The Carousel and the Racehorse  (LIT Magazine, 2020)  (pen and ink, with watercolor artwork: accompanies fiction, “Diana and the Thoroughbred,” both by Rebecca Pyle)

 

The Railroad Depot, Hot Day, Santa Fe :: oil pastel and chalk ::  Rebecca Pyle :: 2015 :: rebeccapyleartist.wordpress.com

T H E   W I L L I A M   A N D   M A R Y   R E V I E W


Old Railroad Depot, Santa Fe, Hot Day in August  (William & Mary Review, 2020)  (chalk/pastel drawing, Rebecca Pyle)

(forthcoming)

 




Rebecca_Pyle_photograph_against_pale_wall

R E C E N T   A R T   S H O W S   /   R E V I E W S   O F   W O R K



Rebecca Pyle, Black and White show, Eccles Art Center, Ogden, Utah: 2015

Rebecca Pyle, Fifteen Pieces of Work: The Coffee Garden, Salt Lake City: winter 2015

Rebecca Pyle, solo show, ground floor, Anderson-Foothill library, Salt Lake City: 2015

Rebecca Pyle, Utah Images: City-County Building, Salt Lake City; recipient of Emerging Artist Award, 2015

Rebecca Pyle, annual Alfred Lambourne arts competition: oil paintings and three-dimensional pieces reflecting The Great Salt Lake shown in Alderwood Gallery; Eccles Community Gallery at Salt Lake Community College; Sorensen Unity Center Gallery, Salt Lake City:  2014; 2015; 2016; 2017; 2018; 2019

Simon Blundell, Photographs, and Rebecca Pyle, Paintings, January 13–February 23, 2018, Salt Lake City Main Library, Library Square, Fourth Floor Gallery

Alfred Lambourne arts prize poster    Alfred Lambourne Arts Prize poster 2018

“Choreographing Symphonies, Artwork by Rebecca Pyle,” art review by Hannah Sandorf Davis: in 15 Bytes, Utah’s Art Magazine, January 2018

“When the Past Cannot Take Care of Itself,” by Jason Olsen: in 15 Bytes, Utah’s Art Magazine, July 2018

Rebecca Pyle: Nineteen Pieces of Work at the Tin Angel, solo show, oil paintings, drawings, Salt Lake City, February–March, 2018

Rebecca Pyle: oil painting The Alta Club Building, Salt Lake City, chosen for display in 2019 Statewide Art Competition, Bountiful-Davis art center. August 2–September 14, 2019

Rebecca Pyle: From Above Smithson Thought the Spiral Jetty Looked like a Cap his Mother had Knitted Him, oil on canvas, at Sorenson Unity Center gallery, Salt Lake City, September 3–September 30, 2019

Rebecca Pyle: From Above Smithson Thought the Spiral Jetty Looked like a Cap his Mother had Knitted Him, oil on canvas, at 814 Gallery, Salt Lake City, October 1–through December 31, 2019

Rebecca Pyle / Poets & Writers Magazine: directory listing / list of journals published within, 2020




 

 

 

cropped-11babd93d9bad2c4680a20813b5cb30e     W R I T I N G
by Rebecca Pyle



 

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S T O N E B O A T   J O U R N A L


“What Does the Sun Need”  (Stoneboat, 2916)  (short story, Rebecca Pyle)

(paper)

 

wisconsin review cover

W I S C O N S I N   R E V I E W


“The Christmas Ornament”  (short story, Rebecca Pyle)

(paper)

 

muse-16-cover-gold

T H E   H E A L I N G   M U S E


“The Sun, The Promise”  (The Healing Muse, 2016)  (poem, Rebecca Pyle)

(paper)

 

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I N D I A N   R E V I E W   (India)


“Jewelry Poems”  (five poems, Rebecca Pyle)
“O, House”  (novel excerpt, Rebecca Pyle)

 

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C O N S T E L L A T I O N S


“Several Men Came Asking”  (Constellations, Fall 2017)  (poem, Rebecca Pyle)
“What Good New York, the City?”
  (Constellations, Fall 2017)  (poem, Rebecca Pyle)

(paper)

 

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U N D E R W A T E R   N E W   Y O R K


“As if Waiting to be Set: the Whirling Lost Objects, in Space”  (Underwater New York, 2017)  (poem, Rebecca Pyle)

 

bangalore review iv

bangalore review ii

T H E   B A N G A L O R E   R E V I E W   (India)


“Making Prints”  (Bangalore Review, 2016) (poem, Rebecca Pyle)
“Unfound”  (Bangalore Review, 2018)  (poem, Rebecca Pyle)

 

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T A J   M A H A L   R E V I E W   (India)


“The Salt King”  (poem, Rebecca Pyle)

(paper)

 

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R E A D I N G S
(Rowland Hall, Salt Lake City, Utah)


“The Forest Fire Cake”  (Rowland Hall, group reading: excerpt, unpublished short story; Rebecca Pyle)
“The Christmas Ornament”  (Rowland Hall, group reading: short story, in Wisconsin Review; Rebecca Pyle)
“Ophelia’s Bracelets”  (Rowland Hall, group reading: poem, in Indian Review; Rebecca Pyle)
“Several Men Came Asking”  (Rowland Hall, group reading: poem, in Constellations; Rebecca Pyle)
“What Does the Sun Need”  (Rowland Hall, group reading: short story, in Stoneboat; Rebecca Pyle)

 

Gunnison Island, Great Salt Lake

(Alfred Lambourne Competition)


Flamingo, Great Salt Lake  (finalists, Alderwood Gallery, annual Alfred Lambourne Competition, Salt Lake City, Utah)  (unpublished poem; Rebecca Pyle)

“The Salt King, The Salt Queen, The Salt Child”  (finalists, Sorensen Center, annual Alfred Lambourne Competition, Salt Lake City, Utah)  (“The Salt King” published first in Taj Mahal Review. All three, later, published in Cobalt Review) (poetry; Rebecca Pyle)

The Spiral Jetty, and Smithson  (finalists, Sorenson Center, annual Alfred Lambourne Competition, Salt Lake City, Utah)  (unpublished essay; Rebecca Pyle)

 

The Remembered Arts Journal logo

T H E   R E M E M B E R E D   A R T S   J O U R N A L


“At Last, the Reading in New York”  (short story, Rebecca Pyle)
“At Last, the Reading in New York”  (illustrative graphic, Rebecca Pyle)
“To Speak or Not to Speak”  (essay, Rebecca Pyle)

 

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R E Q U I T E D   J O U R N A L


“Would Have Done”  (Requited Journal, 2017)  (poem, Rebecca Pyle)

 

Roanoke Review

R O A N O K E   R E V I E W


“The Beauty of the Fork”  (poem, Rebecca Pyle)
“On Muses and Musing”  (interview with Rebecca Pyle) (within interview, also, group of  paintings by Rebecca Pyle)

(also in Roanoke Review: Rebecca Pyle’s recorded reading, “The Beauty of the Fork”)

(also paper)

 

Poor Yorick, iiiiiiiii

P O O R   Y O R I C K


“The King’s Well”  (Poor Yorick, 2018)  (poem, Rebecca Pyle)

 

cobalt 4

C O B A L T   R E V I E W


“The Salt King”  (originally published in Taj Mahal Review)
“The Salt Queen”
“The Salt Child”

(published as a trio, Issue 20, Cobalt Review)  (poems, Rebecca Pyle)

 

cobalt review radioactive lit

C O B A L T   R E V I E W


“Because I Did Not Have”  (Cobalt Weekly No. 1, 2019)  (poem, Rebecca Pyle)

 

Map Literary xxx

M A P   L I T E R A R Y


“Winter Solstice”  (short story, Rebecca Pyle)

 

Fifteen Bytes
Wall of Meditation in Blue - Downen

1 5   B Y T E S   U T A H
(reviews by Rebecca Pyle)



Index of articles/reviews by Rebecca Pyle in Artists of Utah’s 15 Bytes

“The Geometry of Love: Plan-B’s Weird Play” 

“We Made a Garden: Familiar Fauna by the Women Ostraff at Rio Gallery” 

“Chamomile for Elsinore: Tea Tuesdays at the Marmalade Library”

“Stories to Tell: A Conversation with Ann Poore”  (an interview)

“Jennifer Rasmusson Takes Flight with New Abstracts at A Gallery”

“Retrace: Linnie Brown’s Puzzle Project”  (A Gallery)

“Where Horses Roam: Review of Patrick Dean Hubbell at Modern West”

“A Captivating Curse: Elisabeth Bunker Explores Dirt, Inversions, and Beauty at Draw, Inc.”

“Matt Flint Reveals Wildlife Character in the Gloaming”  (Gallery Mar, Park City)

“The Mystery and Melancholy of Spring: Paintings by Lindsay Frei and Trent Call at 15th Street Gallery”

“Vomela, Payan, and Downen: A Symphony of Color at Downtown Artist Collective”

“The Present Tense: Lee Udall Bennion at David Ericson Fine Art”

“Susan Jarvis and Darryl Erdmann Bring Bright Sweets and Dark Depths to 15th Street Gallery”

“Poiesis: Sail-Away Art of Three-Dimensional Prints at Art Access Gallery”

“A Perpetual Dream-Oasis of Food and Love at Art Access’ Palate”

“Doilney’s ‘A Sense of Place’ at ‘A’ Gallery is a Jewel Box Lavishly and Bravely Spilled”

“Megan Gibbons’ Powerfully Simple Voyagers Enjoy the Sea Air”  (The Phillips Gallery)

“You Are of the Land: Sam Walker and Danielle Susi at Bountiful Davis”

“A Visit to Utah Division of Arts and Museum’s State Annual”  (Rio Gallery)

“Destiny and Petits Fours: Heather Barron and Nancy Vorm at The Phillips”

“George Handrahan Paints for Disconsolate Angels”  (David Ericson Fine Art)

“David LeCheminant and the Sacred at Meyer Gallery”

 


 

Wayne Literary Review   

W A Y N E   L I T E R A R Y   R E V I E W


“Yes, I Ride”  (2018, Wayne Literary Review)  (novel excerpt, Rebecca Pyle)

(paper)

 

The_Underwater_American_Songbook_Cover (1)

T H E   U N D E R W A T E R   A M E R I C A N   S O N G B O O K


Published within/by Underwater New York, 2018  (poetry chapbook & cover art; both by Rebecca Pyle)

 

modern west logo
Beatrice Mandelman, Wolcott Ely, Taos, Life Magazine photo

M O D E R N   W E S T   F I N E   A R T


“Patrick Dean Hubbell at Modern West”  (review, Rebecca Pyle)

 

Print
1412184815431

A L L E N  +  A L A N   F I N E   A R T


“New Abstracts: Jennifer Rasmusson”  (review of Rasmusson’s work, Rebecca Pyle)

“Retrace: Linnie Brown”  (review of Brown’s work, Rebecca Pyle)

“Doilney: A Jewelry Box Lavishly and Bravely Spilled”  (review of Doilney’s work, Rebecca Pyle)

 

Lindenwood Review volume nine cover

T H E   L I N D E N W O O D   R E V I E W


“Jar of Honey”  (Issue Nine, Lindenwood Review)  (short story, Rebecca Pyle)

(paper)

 

Twyckenham Notes logo

T W Y C K E N H A M   N O T E S


“Whom You Remember”  (Twyckenham Notes, Issue Seven, 2018)  (poem, Rebecca Pyle)

(also in Twyckenham Notes: Rebecca Pyle’s reading of poem “Whom You Remember”)

 

oxford magazine, issue 41

O X F O R D   M A G A Z I N E


“The Beauty of Mid-Century Moderns”  (Issue 41, Fall 2018, Oxford Magazine)  (poem, Rebecca Pyle)

(also paper)

 

The Penn Review

T H E   P E N N   R E V I E W


“The Young in New York”  (poem, finalist for University of Pennsylvania’s The Penn Review Poetry Prize 2019; Rebecca Pyle)

(appears in Penn Review No. 69, 2019)

(also paper)

 

Equinox-Logo-Read-The-Latest-Issue

E Q U I N O X   P o e t r y   a n d   P r o s e


“All You Want is to Weep in the Desert”  (Equinox, 2018)  (poem, Rebecca Pyle)

 

FrontCover Die Leere Mitte issue one

D I E   L E E R E   M I T T E   (Berlin)


“Compass with More Points than Four”  (Vol. 1, Die Leere Mitte)  (poem, Rebecca Pyle)
“Everything Grows Beside”  (Vol. 1, Die Leere Mitte)  (poem, Rebecca Pyle)
“The Panneitz Theorem”  (Vol. 1, Die Leere Mitte)  (poem, Rebecca Pyle)

(also paper)

 

issue-4

D I E   L E E R E   M I T T E   (Berlin)


“Acknowledgement”  (Vol. 4, Die Leere Mitte)  (poem, Rebecca Pyle)

(also paper)

 

Litro

L I T R O   M A G A Z I N E   (London/United Kingdom)


The Horse at the House across the Street, intense dark blue, high quality

L I T R Oessay – “A Writing Group, and Horses”  (Litro, U.K. edition, “EssaySaturday;” with author’s oil painting “Horse at the House across the Street” )  (essay and painting; Rebecca Pyle)

Litro Chaplin

L I T R Oessay – “Writing, and Chaplin”  (Litro, U.K. edition, Editor’s Pick, “EssaySaturday” August 2019)  (essay, Rebecca Pyle)


 

national poetry review 16

T H E   N A T I O N A L   P O E T R Y   R E V I E W


“Our Snow Land”  (annual: Vol. 17, National Poetry Review)  (poem, Rebecca Pyle)

 

Bridge Eight, cover, butterflies

B R I D G E   E I G H T


“Thrown Back into the Ocean”  (Bridge Eight, 2019)  (novel excerpt/story, Rebecca Pyle)

 

Pomme Journal One

P O M M E   J O U R N A L


“Summer (for Robert Green)”  (Issue One, Pomme, 2019))  (poem, Rebecca Pyle)

(paper)

 

Coffin Bell logo

Surreal portrait


C O F F I N   B E L L   J O U R N A L

“Forgotten”  (“Masquerade” issue, Vol. 2, Issue 4, Coffin Bell Journal)  (poem,Rebecca Pyle)

 

MUSE :A Journal

M U S E  / A    J  O U R N A L


“Old Women”  (essay, Rebecca Pyle)

 

Forbidden Peak Press volume one

F O R B I D D E N   P E A K   P R E S S


“Trimming the Lavender”  (Vol. 1. Forbidden Peak Press) (poem, Rebecca Pyle)

(also paper)

 

THP Logo Books Collage 2018 - square

T O R R E Y   H O U S E   P R E S S


SHORT ESSAYS  (essays accompanying Pyle oil paintings, artwork; Rebecca Pyle)

(forthcoming)

 

Thirty West Publishing House logo, blue version

T H I R T Y   W E S T   P U B L I S H I N G   H O U S E


“4 Photographs and a Drawing”  (short essay accompanying artwork; Rebecca Pyle)

 

The Chattahoochee Review

T H E   C H A T T A H O O C H E E   R E V I E W


“Buster Keaton”  (Fall/Winter 2019/2020 issue, Chattahoochee Review)  (poem, Rebecca Pyle)

(paper)

 

Sweet Tree Review

S W E E T   T R E E   R E V I E W


“Cufflinks”  (Vol. 4 / Issue III, Sweet Tree Review)  (novel excerpt/short fiction, Rebecca Pyle)

 

Cover art JuxtaProse art:lit journal volume 21 Rebecca Pyle

J U X T A P R O S E


Taylor Gianfrancisco interview: “How Art Rescues the Artist: An Interview with Rebecca Pyle”  (JuxtaProse, 2019)

 

Belletrist_vol4_Cover_Final-pdf

B E L L E T R I S T   M A G A Z I N E


“Perennialism”  (short story, Rebecca Pyle)

 

wild roof journal

W I L D   R O O F   J O U R N A L


“An Ornithology of Stars”  (poem, Rebecca Pyle)
“Where We Are”  (poem, Rebecca Pyle)
“The Herbalists”  (poem, Rebecca Pyle)

(Vol. 1, Wild Roof Journal, 2020)

 

LIT Magazine cityscape cover

L I T   M a g a z i n e   (The New School, Manhattan)


“Diana the Thoroughbred”  (LIT Magazine, 2020)  (short fiction, plus accompanying artwork, The Carousel and the Racehorse, in pen and ink and watercolor: all by Rebecca Pyle)

 

The Small Plastic Figure of Shakespeare, Jewelry, b&w

1 5   B Y T E S   U T A H


“Shakespeare Wrote in the Time of Plague”  (short fiction, photographs: Rebecca Pyle)

 

city-view-reduced-2-2-scaled La Piccioletta Barba
L A   P I C C I O L E T T A   B A R C A


Text accompanying photograph The Car in Front of the Sharply Glowing House, South Temple Street  (La Piccioletta Barca, Issue 19, 2020)   (text, and photograph: Rebecca Pyle)

(more artwork, texts, forthcoming)

 

 

 




 

 

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