[  P U B L I C A T I O N S ]

ARTWORK

Three oil paintings  (BarBar Literary)
Prague, Metal Plate, Sidewalk: a photograph  (Third Street Review)
Two drawings / one photograph  (The Kleksograph, Belgium, forthcoming)
Door Knocker, Bordeaux, a photograph  (Burningword Literary Journal)
The Hungarian Apartment with the Red Nespresso Machine, drawing  (Silk Road Review, forthcoming)
The Joan of Arc Gavotte, a drawing  (Sand Hills Literary)
Cat, Fireplace / Door Ornament, France, photographs  (The Black Fork Review)
The Red House, other paintings/drawings/plhotographs  (MAYDAY)
Tableaux: three pencil drawings  (La Piccioletta Barca, U.K., forthcoming)
Apartment with Large Tree near Radiator, France / Two Coffees, drawings  (Dream Noir)
Gift Bowl with Clock and Moon Mask, a photograph  (Red Ogre Review)
Cerrillos Road, pastels/chalk  (805 Lit + Art)
The Clear Glass Teapot, photograph  (Rock Salt Journal: cover art)
Teahouse, Japanese Gardens, San Francisco: an oil painting  (The Banyan Review)
Clouds Over Imaginary Harbor, a drawing  (Pithead Chapel: cover art)
Photographs, Helper, Utah  (Wilderness House Literary Review)
The Man Who Played Lullabies, other drawings/paintings  (Otis Nebula)
The Machinations of Religion / The Liar, other oil paintings plus cover art  (West Trestle Review)
The Unfindable / Megaplex 12, other oil paintings  (Watershed Review)
Black Rock, oil painting  (Rathalla 2020 Annual Review: cover art)
The Cowboy Who Understood the Ocean, oil painting  (Sand Hills Literary)
The Cement House, oil painting  (Another Chicago Magazine)
Turkish Coffee Cup in Windowsill, photograph  (The William and Mary Review)
Photographs, several  (Dream Noir)
Looking Through the Window of the Hotel, photograph  (The Moving Force Journal)
The Alta Club, oil painting  (Permafrost)
Sad Bell in Bell Tower, the University, an oil painting  (Barnstorm)
Five oil paintings  (Gris-Gris)
The Velvet Jacket / Driving to the Great Salt Lake, oil paintings  (The Menteur)
House at the End of Douglas Street, oil painting  (JuxtaProse: cover art)
The Young Man in India Who was Cold, oil painting  (JuxtaProse: cover art)
Near Jane Street: The Tangerine MiniCooper, photograph  (JuxtaProse: cover art)
The Clay Fish / Oppenheimer’s Cottage, other paintings  (Roanoke Review)
Notes From an Herbalist’s Lecture, ink/tea on paper  (Tishman Review)
From Above, The Spiral Jetty, oil painting  (The Hitchlit Review: cover art)
Train He Was On, The Red Hill, five more paintings/drawings  (Rathalla Review)
Oil paintings  (The MUSE Project)
Fish in a Stream, drawing  (Inklette)
The Moon Ownership, oil painting  (Barzakh)
Silver Plant, Silver Pot, an oil painting  (The Perch)
Ridden Away, ink/watercolor drawing  (LIT)
For the Moon Landing, oil painting  (FOLIO)
Photographs (in Helper, Utah)  (Wilderness House)
The Unfindable / Megaplex 12 / other oil paintings  (Watershed Review)
Resolution of a Tree / Where the Lab Was Once, other paintings  (The Rappahannock Review)
Lambourne’s American White Pelican, oil painting  (Grist)
Four photographs and a drawing  (Thirty West Publishing House)
The Jacket with Orange Buttons, other paintings  (Blood Orange Review)
The Horse at the House Across the Street, oil painting  (Coffin Bell; also Litro, U.K. edition)
Tall Building / The Dentist’s Office, two oil paintings  (Under the Sun)
Man Making Music in the Forest / Black Rock / other paintings  (New England Review)

SHORT FICTION

“Hope”  (Post Road Magazine, forthcoming)
“Escape, and Puzzles”  (The Kleksograph, Belgium, forthcoming)
“Tin Foil Town”  (Third Street Review, forthcoming)
“The Coat”  (Burningword Literary Journal)
“What Does the Sun Need”  (Stoneboat)
“A House”  (Die Leere Mitte)
“The Soap from Marseilles”  (Brink)
“Necklaces”  (The Los Angeles Review)
“A Floor”  (805 Lit + Art)
“The Land Rover”  (EXCERPT Magazine)
“Everyone Needs a Spaceman”  (SEISMA Magazine, U.K.)
“The Numbers for Pi”  (SEISMA Magazine, U.K., forthcoming)
“Ravished”  (longlist, fiction prize) (Vincent Brothers Review, forthcoming)
“Birds of New York”  (Solstice Literary)
“The House on Stilts”  (shortlist, fiction prize) (BarBar Literary)
“Honey, Himalayan Salt”  (‘Innovative Writing Award’) (Miracle Monocle)
“Beatrice, and the Glory of the Colors”  (Fugue) 
“The Dying Plane”  (Posit) 
“The Sun, and Cobalt”  (LandLocked)
“The Sparkling On”  (The Hong Kong Review)
“Brocades; Ocean”  (Lumina)
“The Collar”  (Eclectica)
“The Royal Dervish Hotel”  (Pangyrus Literary)
“Solarium” / “Only Son Grayson”  (Litro, U.S. edition)
“Winter Solstice”  (Map Literary) 
“Jar of Honey”  (The Lindenwood Review) 
“Cartoon of Goodness”  (nominated for Best of the Net anthology award) (Posit)
“History of Kingship”  (Hare’s Paw)
“Gerald”  (Kithe)
“Thrown Back into the Ocean”  (Bridge Eight Press)
“The Pond by the Anthropology Museum”  (Gargoyle Magazine)
“O House”  (Indian Review, India)
“White as Clouds”  (nominated for Pushcart Prize) (Guesthouse)
“At The Crown & Mermaid”  (The Kleksograph, Belgium)
“Ellonia, Where is She?”  (Terrain.org)
“To the Sea”  (Underwood)
“The Girl Who Lived in the Lighthouse with her Brother”  (Gris-Gris)
“A Christmas Ornament”  (Wisconsin Review)

ESSAYS, REVIEWS

“The High Line”  (Cagibi)
Review of Bradley Sides’ Those Fantastic Lives and Other Strange Stories  (Grist)
Review of Jennifer Fliss’s short story collection The Predatory Animal Ball  (Grist)
“Writing, and Fortune-Tellers”  (Coffin Bell)
“Two Lions, and a Tea Cupboard”  (Common Ground Review)
“Bats and Stones”  (The Festival Review)
“Chaplin, and Writing” / “A Writing Group, and Horses”  (Litro, U.K. edition)
“Brent Godfrey’s Show at ‘A’ Gallery”  (Artists of Utah’s 15 Bytes)
“Nature Loud and Clear in Nilsson’s ‘A Way of Seeing in the Anthropocene’  (Artists of Utah’s 15 Bytes)
“Soul of Glass: Andrew Alba at Current Work Gallery”  (Artists of Utah’s 15 Bytes)
“Amazing Works by Robert Mellor and Hunt Rettig at Julie Nester Gallery”  (Artists of Utah’s 15 Bytes)
“Samantha daSilva at Alpine Gallery”  (Artists of Utah’s 15 Bytes)
“The Whale in the Roundabout”  (Artists of Utah’s 15 Bytes)
“Death and Beauty and Change and Hope in McPhie’s Nature as a Goddess”  (Artists of Utah’s 15 Bytes)
“Mitsu Salmon’s Work at Utah Museum of Contemporary Art”  (Artists of Utah’s 15 Bytes)
“Lightning Power in Patrick Dean Hubbell’s New Work”  (Artists of Utah’s 15 Bytes)
“Corinne Geertsen Animates a Fading World with Fantasy”  (Artists of Utah’s 15 Bytes)
“The Moon, True Love, and Stephen Trimble’s Book”  (Artists of Utah’s 15 Bytes))
“The Dazzling Wonder: Katherine Irmbrauer’s Chapbook Essay”  (Artists of Utah’s 15 Bytes)

POETRY

“Museologies”  (Belmont Story Review, forthcoming)
“Orphans, Old”  (Anacapa Review/Gunpowder Press)
“After a Week in Chartres”  (Flying Island Journal)
“In Magnetic Resonance Imaging Machine”  (Santa Fe Writers Project Quarterly)
“Sleeping Bag Poem”  (SEISMA Magazine, U.K.)
“My Man Poe”  (Otis Nebula)
“Buster Keaton”  (The Chattahoochee Review)
“The Panneitz Theorem”, other poems  (Die Leere Mitte, Berlin)
“Forgotten”  (Coffin Bell)
“Blue Medicine Bottles, and Time”, other poems  (The Galway Review)
“The Pottery”, other poems  (The Cape Rock)
“The Young in New York”  (shortlist, poetry prize)  (The Penn Review)
“Island Like a Sacred Basket”  (The Honest Ulsterman, Belfast)
“The Beauty of the Fork”  (Roanoke Review)
“The Herbalists” / “An Ornithology of Stars”, other poems  (Wild Roof Journal)
“Where We Are”  (The National Poetry Review)
“All You Want is to Weep in the Desert”  (Equinox)
The Underwater American Songbook  (chapbook: Underwater New York, 2018)
“Several Men Came Asking” / “What Good, New York, the City?”  (Constellations)
“House for Me”  (Requited Journal)
“Jewelry Poems”  (Indian Review, India)
“Did Not Have”  (Cobalt Review)
“Whom You Remember”  (Twyckenham Notes)