[  P U B L I C A T I O N S ]

ARTWORK

Owl Reluctant to Leave Mountains, crayon on canvas (The Madison Review)
Artist, Self-Portrait: a drawing  (The Vassar Review)
The Joan of Arc Gavotte and Selected Work  (Sierra Nevada Review: cover art)
In Berlin, the North-Facing Room; and more drawings  (The Courtship of Winds)
Robot, on Mantel, a photograph  (The Closed Eye Open)
Roses from the Beggars, Rennes, a drawing  (The Healing Muse)
Prague, Metal Plate, Sidewalk, a photograph  (Third Street Review)
Two drawings, one photograph  (The Kleksograph, Belgium)
Door Knocker, Bordeaux, a photograph  (Burningword Literary Journal)
Hungarian Apartment with Red Nespresso Machine, a drawing  (Silk Road Review)
Cat, Fireplace; and Door Ornament, France: two photographs  (The Black Fork Review)
The Red House, and other paintings/drawings/photographs  (MAYDAY)
Tableaux (three pencil drawings)  (La Piccioletta Barca, U.K.)
Apartment with Large Tree near Radiator, France; and Two Coffees; drawings  (Dream Noir)
Gift Bowl with Clock and Moon Mask, a photograph  (Red Ogre Review)
Chinese Guardian Lion, photograph  (San Antonio Review)
Cerrillos Road, pastels/chalk  (805 Lit + Art)
The Clear Glass Teapot, photograph  (Rock Salt Journal: cover art)
Teahouse, Japanese Gardens, San Francisco: an oil painting  (The Banyan Review)
Clouds Over Imaginary Harbor, a drawing  (Pithead Chapel: cover art)
Photographs: Helper, Utah  (Wilderness House Literary Review)
The Man Who Played Lullabies For Dogs; and other drawings/paintings  (Otis Nebula)
The Machinations of Religion; The Liar; and other oil paintings (also: cover art)  (West Trestle Review)
The Unfindable; Megaplex 12; and other oil paintings  (Watershed Review)
Black Rock, oil painting  (Rathalla 2020 Annual Review: cover art)
The Cowboy Who Understood the Ocean, oil painting  (Sand Hills Literary)
Dentist’s Office; and The Hairdresser; oil paintings  (Cream City Review)
The Cement House, oil painting  (Another Chicago Magazine)
Turkish Coffee Cup in Windowsill, a photograph  (The William and Mary Review)
Between Two Trees, oil painting  (DeLuge Journal)
Looking Through the Window of the Hotel, photograph  (The Moving Force Journal)
The Alta Club, oil painting  (Permafrost)
Sad Bell in Bell Tower, the University: an oil painting  (Barnstorm)
Five oil paintings  (Gris-Gris)
The Velvet Jacket; and Driving to the Great Salt Lake; oil paintings  (The Menteur)
House at the End of Douglas Street, oil painting  (JuxtaProse: cover art)
The Young Man in India Who was Cold, oil painting  (JuxtaProse: cover art)
Three Angry Girls Under an Umbrella, The Timely House, and other oil paintings  (TINT Journal)
Near Jane Street: The Tangerine MiniCooper, a photograph  (JuxtaProse: cover art)
The Clay Fish; Oppenheimer’s Cottage; and other oil paintings  (Roanoke Review)
Notes From an Herbalist’s Lecture, drawings  (The Tishman Review)
From Above, The Spiral Jetty, an oil painting  (The Hitchlit Review: cover art)
Train He Was On in Manhattan; The Red Hill; and more oil paintings/drawings  (Rathalla Review)
Mantel at the Violinists’ House, oil painting; plus drawings (Raven Chronicles Journal: cover art)
Various oil paintings  (The MUSE Project)
Oceandark Fish in Stream; The Red Hill; other drawings, paintings  (Inklette)
The Moon Ownership, oil painting  (Barzakh)
Silver Plant, Silver Pot, an oil painting  (The Perch)
Red Yellow Blue: The Winter Greenhouse, and four other paintings  (Alexandria Quarterly)
Photographs (The Healing Muse)
Ridden Away, ink and watercolor  (LIT)
For the Moon Landing, oil painting  (FOLIO)
Oil paintings and photographs  (Belle Ombre, U.K.)
The Unfindable Place; and The Megaplex 12; and other oil paintings  (Watershed Review)
Resolution of a Tree; Where the Lab Was Once; and other artwork  (The Rappahannock Review)
The Reading, graphic panel  (The Remembered Arts Journal)
Lambourne’s American White Pelican, oil painting  (Grist)
Four photographs, and a drawing  (Thirty West Publishing House)
The Jacket with Orange Buttons, and other oil paintings  (Blood Orange Review)
The Horse at the House Across the Street, oil painting  (Coffin Bell) 
The Horse at the House Across the Street, oil painting  (Litro, U.K. edition)
The Tall Building; and The Dentist’s Office; oil paintings  (Under the Sun)
Man Making Music in the Forest; and Black Rock; and other oil paintings  (New England Review)

SHORT FICTION

“Worshipping at the House of Fish”  (Chicago Review, forthcoming)
“Lady Potter”  (The Los Angeles Review, forthcoming)
“River”  (Writer’s Block Magazine, Amsterdam)
“What Does the Sun Need”  (Stoneboat)
“Hope”  (Post Road Magazine)
“A Frost Fate”  (Scarlet/Jaded Ibis Press)
“Clownship”  (Kestrel)
“Escape, and Puzzles”  (The Kleksograph, Belgium)
“Tin Foil Town”  (Third Street Review)
“The Coat”  (Burningword Literary Journal)
“The House on Stilts”  (shortlisted, fiction prize) (BarBar Literary)
“A House”  (Die Leere Mitte)
“As Simple as a Wish”  (Pacifica Literary Review)
“The Green Soap from Marseille”  (Brink Literary Review)
“Necklaces”  (The Los Angeles Review)
“A Floor”  (805 Lit + Art)
“The Land Rover”  (EXCERPT Magazine)
“The Numbers for Pi”; “Everyone Needs a Spaceman”  (SEISMA Magazine, U.K.)
“Ravished”  (shortlisted, fiction prize) (Vincent Brothers Review, forthcoming)
“From the Rubble”  (ARTWIFE)
“Birds of New York”  (Solstice Literary)
“Honey, Himalayan Salt”  (winner, The Miracle Monocle hybrid writing award)
“Beatrice, and the Glory of the Colors”  (Fugue) 
“The Dying Plane”  (Posit) 
“The Sun, and Cobalt”  (LandLocked)
“The Sparkling On”  (The Hong Kong Review)
“Brocades; Ocean”  (Lumina)
“The Collar”  (Eclectica)
“The Royal Dervish Hotel”  (Pangyrus Literary)
“Solarium”, “Only Child Grayson”  (Litro, U.S. edition)
“Winter Solstice”  (Map Literary) 
“Jar of Honey”  (The Lindenwood Review) 
“Cartoon of Goodness”  (nominated for Best of the Net) (Posit)
“History of Kingship”  (Hare’s Paw)
“Gerald”  (Kithe)
“Thrown Back into the Ocean”  (Bridge Eight Press)
“The Pond by the Anthropology Museum”  (Gargoyle Magazine)
“The Reading”  (The Remembered Arts Journal)
“O House”  (Indian Review, India)
“White as Clouds”  (nominated for Pushcart Prize) (Guesthouse)
“At The Crown & Mermaid”  (The Kleksograph, Belgium)
“Ellonia, Where is She?”  (Terrain.org)
“To the Sea”  (Underwood Review)
“The Girl Who Lived in the Lighthouse with her Brother”  (Gris-Gris)
“A Christmas Ornament”  (Wisconsin Review)

ESSAYS, REVIEWS, CREATIVE NONFICTION

“Heuston Street, Oppenheimer’s Cottage”  (winner, Los Angeles Review’s creative nonfiction award)
“The High Line”  (Cagibi)
Review of Bradley Sides’ Those Fantastic Lives and Other Strange Stories  (Grist)
Review of Jennifer Fliss’s short story collection The Predatory Animal Ball  (Grist)
“Writing, and Fortune-Tellers”  (Coffin Bell)
“Two Lions, and a Tea Cupboard”  (Common Ground Review)
“The Spiral Jetty as a Woolen Cap”  (The HitchLit Review)
“Bats and Stones”  (The Festival Review)
“Chaplin, and Writing”; “A Writing Group, and Horses”  (Litro, U.K. edition)
“Brent Godfrey’s Show at ‘A’ Gallery”  (Artists of Utah’s 15 Bytes)
“Nature Loud and Clear in Nilsson’s ‘A Way of Seeing in the Anthropocene'”  (Artists of Utah’s 15 Bytes)
“Soul of Glass: Andrew Alba at Current Work Gallery”  (Artists of Utah’s 15 Bytes)
“Amazing Works by Robert Mellor and Hunt Rettig at Julie Nester Gallery”  (Artists of Utah’s 15 Bytes)
“Samantha daSilva at Alpine Gallery”  (Artists of Utah’s 15 Bytes)
Essay  (The Remembered Arts Journal)
“The Whale in the Roundabout”  (Artists of Utah’s 15 Bytes)
“Death and Beauty and Change and Hope in McPhie’s Nature as a Goddess”  (Artists of Utah’s 15 Bytes)
“Mitsu Salmon’s Work at Utah Museum of Contemporary Art”  (Artists of Utah’s 15 Bytes)
“Lightning Power in Patrick Dean Hubbell’s New Work”  (Artists of Utah’s 15 Bytes)
“Corinne Geertsen Animates a Fading World with Fantasy”  (Artists of Utah’s 15 Bytes)
“The Moon, True Love, and Stephen Trimble’s Book”  (Artists of Utah’s 15 Bytes))
Katherine Irmbrauer’s chapbook/essay  (Artists of Utah’s 15 Bytes)

POETRY

“Gravity, Dark Matter, and Dip Cones”  (The Hiram Poetry Review, forthcoming)
“At the Store”; “Not the Old West, the First West”  (The Coachella Review)
“Two Deer, Running Toward You”; “Red”  (Eclectica)
“The Mermaid and the Bell Tower”  (Red Ogre Review)
“The Nightling Apples”  (The Bangalore Review, India, forthcoming)
“A Record”; “For the Falling”  (Kestrel)
“Orphans, Old”  (Anacapa Review/Gunpowder Press)
“Museologies”  (Belmont Story Review)
“After a Week in Chartres”  (Flying Island Journal)
“In Magnetic Resonance Imaging Machine”  (Santa Fe Writers Project Quarterly)
“Sleeping Bag Poem”  (SEISMA Magazine, U.K.)
“My Man Poe”  (Otis Nebula)
“Buster Keaton”  (The Chattahoochee Review)
“The Paneitz Theorem”; “Everything Grows Beside It”; “Compass”  (Die Leere Mitte, Berlin)
“Forgotten”  (Coffin Bell)
“Blue Medicine Bottles, and Time”; “Arms of Trees”; “Archway”  (The Galway Review)
“The Pottery” and other poems  (The Cape Rock: Poetry)
“The Young in New York”  (shortlisted, The Penn Review annual poetry prize)  (The Penn Review)
“Island Like a Sacred Basket”  (The Honest Ulsterman, Belfast)
Poem  (The Healing Muse)
“The King’s Well”  (Poor Yorick)
“The Beauty of the Fork”  (Roanoke Review)
“The Herbalists”; “An Ornithology of Stars”; “Where We Are”  (Wild Roof Journal)
“Our Snowland”  (The National Poetry Review)
“The Pig and the Milk-White Jar”  (a winning poem in National Poetry Competition, United Kingdom)
“Time, Answered”; “Needless”; “Je Suis Generis, The Parrot”  (In Parentheses)
Poem  (Oxford Magazine)
“Unfound”; “Making Prints”  (The Bangalore Review, India)
“All You Want is to Weep in the Desert”  (Equinox)
The Underwater American Songbook  (chapbook: Underwater New York, 2018)
“Several Men Came Asking”; “What Good, New York, the City”  (Constellations)
“Would Have Done”  (Requited Journal)
Jewelry Poems (several poems)  (Indian Review, India)
“Did Not Have”  (Cobalt Review)
“Whom You Remember”  (Twyckenham Notes)